Immediately after Shore’s accident, Neveah Stroyer (Kylie Jefferson), a dancer from Inglewood, California, is selected to take her place. Mr. Scordato earned a merit scholarship to the School of American Ballet’s 2002 Summer Course at the age of 16 and was invited to continue his training in SAB’s Winter Term the same year. The School of American Ballet (SAB) is an American classical ballet school and is the associate school of the New York City Ballet, a ballet company based at the Lincoln Center for the Performing Arts in New York City. In addition to An American Ballet Story she is co-producing The Ghost Stories Project about ghost sightings in California. She was cast by George Balanchine as a Party Scene guest and Polichinelle. He is regularly invited as a guest professor to conduct master classes and workshops based on these improvisation modalities, at various international institutions. In June 2009, Elizabeth retired from performing after 19 years with NYCB. Imagine Documentaries recently inked a first-look pact with Apple but it’s unclear if “On Pointe” will end up there. American Midwest Ballet PO Box 6413 • Omaha, NE 68106 (402) 541-6946 info@amballet.org. Spotlighting the prolific New York City School of American Ballet, On Pointe shines a light into the competitive and near cutthroat world of pre-professional ballet. At New York City Ballet, Mr. Garcia’s repertoire includes principals roles in Balanchine’s Brahms/Schoenberg Quartet, Coppélia, Danses Concertantes, Divertimento from ‘Le Baiser de la Fée’, Donizetti Variations, Harlequinade,  A Midsummer Night’s Dream, George Balanchine’s The Nutcracker, Prodigal Son,  Jewels (“Rubies”), Sonatine, La Source,  Symphony in C, Tarantella, Tschaikovsky Pas de Deux, Theme and Variations, Union Jack, and Vienna Waltzes. She was named a recipient of SAB’s Mae L. Wien Award for Outstanding Promise in June 2001, and in November 2001, she became an apprentice with New York City Ballet. She continued her ballet studies with Roberta Meyers and then Richard Gibson. Peter Boal was raised in Bedford, New York. Noah earned widespread critical acclaim for his speed, dynamism and technical precision, plus his ability to excel in the classical ballet genre as well as inspire contemporary choreographers. Noah performed as a child in The Nightingale and Raft of Medusa with the First All Children’s Theater just opposite Lincoln Center. Now, he is one of the primary dancers featured on … Ms. Killian currently also serves as Repertory Director for the New York City Ballet’s Education Department, staging productions featuring SAB’s Intermediate and Advanced students for NYCB’s Ballet Bridges programs, which reach over 2,000 public school children each year. Ms. King joined New York City Ballet as a member of the corps de ballet in June 2004 and was promoted to soloist in February 2013. is the 45 minute documentary produced by Picture Start Films and featured in. His repertoire included Balanchine’s Agon, Allegro Brillante, Divertimento No. 2, The Four Temperaments, La Sonnambula, Stars and Stripes, Raymonda Variations, and La Source. Mr. Huxley’s repertoire includes principal roles in Balanchine’s Ballo della Regina, Coppélia, Divertimento from ‘Le Baiser de la Fée’, Duo Concertant, Jewels (“Emeralds” and “Rubies”), The Four Temperaments, A Midsummer Night’s Dream, Mozartiana, Prodigal Son, George Balanchine’s The Nutcracker®, Raymonda Variations, Symphony in C, Symphony in Three Movements and Vienna Waltzes; in Bournonville’s La Sylphide; in Jerome Robbins’s The Four Seasons, Goldberg Variations and Two & Three Part Inventions; in Peter Martins’s Romeo + Juliet, The Sleeping Beauty, Swan Lake and Fearful Symmetries; in Justin Peck’s Year of the Rabbit and Rodeo: Four Dance Episodes; in Alexei Ratmansky’s Concerto DSCH; in Christopher Wheeldon’s Mercurial Manoeuvres; and in Richard Tanner’s Sonatas and Interludes. Ms. Fairchild was a Teaching Fellow at SAB from 2012-16 and a frequent guest teacher during the 2017-18 winter and summer training programs. Peter Boal was raised in Bedford, New York. In the spring of 2003, she was awarded Lincoln Center’s Martin E. Segal Award, which acknowledges the exemplary achievement of young artists. A six-part documentary, On Pointe follows several students as they train for professional dance careers at the prestigious School of American Ballet (SAB) in New York City. Mr. Boal became a member of New York City Ballet’s corps de ballet in 1983, became a soloist four years later and was promoted to principal in 1989. Ms. Pilarre joined SAB’s permanent faculty in 1986. Mr. Hall staged Justin Peck’s In Creases for SAB’s 2018 Workshop Performances and joined the School’s permanent faculty in September 2018. Leyland holds a Bachelor’s degree in English and a Masters Degree in Dance Education (K-12 concentration) from NYU. 15, Episodes, The Four Temperaments, George Balanchine’s The Nutcracker®, Haieff Divertimento, ‘Emeralds’ from Jewels, A Midsummer Night’s Dream, Mozartiana, Prodigal Son, Robert Schumann’s “Davidsbündlertänze,” Symphony in C, Symphony in Three Movements, Tschaikovsky Piano Concerto No. Beginning at the age of 13, he attended three consecutive SAB Summer Courses before enrolling as a fulltime student in the fall of 1996. His film work includes Columbia Pictures’ feature film Center Stage and the 2010 film adaptation of Jerome Robbins’ N.Y. During his career with NYCB, Mr. Hall danced featured roles in numerous ballets by George Balanchine, Jerome Robbins, and Peter Martins, and has also originated roles in works by Justin Peck, Christopher Wheeldon, Alexei Ratmansky, Benjamin Millepied, Jorma Elo, and Lynne Taylor-Corbett, among others. He began his dance training at the age of 6 with Central Pennsylvania Youth Ballet in Carlisle, Pennsylvania, under the direction of Marcia Dale Weary. Disney+ is gifting ballet fans with an inside look at the School of American Ballet with its new show "On Pointe." In 1989, she joined other advanced students on a trip to Amsterdam’s Holland Festival to perform on a program with Russia’s Vaganova Academy. Lauren King was born in Massapequa Park, New York, and began her dance training at the age of 10 with Jane Miller, Luba Gulyaeva, Ali Pourfarrokh, and Lynn Glauber at the American Theater Dance Workshop, the official school of the Eglevsky Ballet Company, in New Hyde Park, New York. He subsequently returned to San Francisco Ballet School to resume his studies and was selected by Helgi Tomasson, Artistic Director of San Francisco Ballet, to perform in a world premiere ballet created especially for the 1996 Spring Student Showcase. She was invited by Peter Martins to join SAB’s permanent faculty in 1996. His film work includes Columbia Pictures’ Center Stage. Upon her retirement from performing, Ms. Ash founded The Swan Dreams Project, a not-for-profit endeavor which was initially conceived as a photography project but has expanded to include programs, lectures and camps with Ms. Ash’s career and imagery as the foundation of the Project’s mission to dismantle stereotypes surrounding race, beauty and talent. During his 22-year performing career, Mr. Higgins danced featured roles in numerous ballets by George Balanchine, Jerome Robbins, and Peter Martins. She was accepted into the School of American Ballet’s Children’s Division at the age of 11 and progressed through the Intermediate and Advanced training levels over the following 6 years. In 1983, she staged Balanchine’s Slaughter on Tenth Avenue ballet for the Broadway revival of On Your Toes. 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